the los angeles based steve huerta popped up on the sccucci manucci radar via his releases on the formidable amadeus records and dirt crew recordings, we tracked his progress and liked what we heard. a couple of months back we handed over the keys to mr. manuccis penthouse apartment and sl 230 pagoda to the young angeleno, and in-between being fitted for smoking jackets and hand made brogues he managed to get some productions complete with the results pressed up for the fifth release on manuccis mistress.

ostgut ton presents >unknown origin<. the formidable debut album from luke slaters inimitable l.b. dub corp moniker

after forging a formidable collaboration on the album future retro with songs such as do better, tell me now & bring me joy, the layabouts & portia monique link up again with a brand new single for 2013.

end of level boss records is a joint project from tusk and cyclonix celebrating the world of video game technostalgia through electronic music. end of level boss 1 ganondorf. ganondorf is the humanoid form of ganon, the ultimate embodiment of evil and hatred, the nemesis of link, and the final boss in many of the legend of zelda games. ganondorf is a formidable sorcerer and a shapeshifter. his hatred is so intense that he can survive even the total obliteration of his body and remain conscious. an ultimate bad ass.

one is formerly the front man of a notorious glaswegian punk band, the other a meticulously precise studio guru with creative flair way beyond the majority. as solo artists they are a formidable force, as a collective they are quite simply one of the most exciting new acts in the uk right now. refusing to rush, they spend countless hours trying ideas, searching for samples, tuning percussion and tweaking sounds. for every mia dora track that sees the light of day, there are 100 that dont. this isnt throwaway club music for the internet generation, it is soulful, thoughtful and emotive music by two producers fuelled by an intrinsic need to give life to the sounds in their heads.

in on my way, a rich cultural heritage has been distilled into an upfront album of burning dance floor action, showing us why the bbe-crowned king of digging has for so long remained a formidable, worldwide musical icon.

the formidable team of visionquest related artists lee curtiss, ryan crosson and cesar merveille debut their new sweatshop boys project for matt tolfreys leftroom imprint this june with wide world feat jem cooke, backed with remixes from mosca and tolfrey himself.

this and thats enigmatic back catalogue is enhanced once again on their fourth release, this time by the formidable trio of davide squillace, guti and carl cox.

raw analogue alchemies delivered with all the sleek and polish of its black-on-black casing made bryan blacks edlx debut last year as blackasteroid a truly memorable one, consolidating all of the motor mans proven paisley park-honed engineering capabilities into a succinct and forward-facing ep. defined by its gritty textures, fizzy white noise manipulations and a signature mechanical hum throughout, black acid achieved a uniquely tactile sound quality, reaffirming bryan black as a formidable one to watch under his revised blackasteroid guise.

the sad sunday ep is implementing its theme on all levels, providing a formidable sound for a frolic sound pleasure. combining attributes like lucidity, lightness and a great passion for details, newcomer carlo ruetz convinces with his new bad taste ep. its another amazing minimal-technoid record that joins the marvelous musical work produced by the supdub young stars. mentor alfred heinrichs provided the ep with a remix himself in addition to the original song.

two of the uks most formidable names in techno step into the ring for a head to head on theory. stephen brown is a man who certainly needs no introduction, and his knack of channeling the best of detroit innovation and adding his own distinct flavours shows no sign of letting up. on >fuego< and >polar< brown takes us further into the jacking zone, his signature lush melodies driving up the rear until they envelope the tracks in a haze of deep and emotive vibrations, but never letting up on the tough rhythms. ben sims is drafted in to remix both tracks, leaving slicing shards of sound and roughing up the beat on his remix of >polar<, before delving into a hard-funk take of >fuego<. big business from two keepers of the true techno flame.

nice price deal !!! the formidable lebanese / italian jazz nomads release a long player of deepness on morphines new live series... silk screen covers and limited edition of 400. special stuff!

for their second release, works the long nights are proud to present an ep from sunil sharpe, one of irelands most celebrated underground djs and producers. since late 2000, sunil has gained a formidable reputation as a dj for his quick fire mixing and fast paced sets and, similarly, as a producer for his distinctive style of club music that fully encapsulates irelands rich heritage and relationship with techno. he is a mainstay of the scene in ireland, responsible for a label/vinyl store (earwiggle), a series of one-off events in dublin (hosting guests like planetary assault systems, cj bolland, perc and adam x) and a show on national radio (rte 2fm s late night sessions) and it is, undoubtedly, a great honour to welcome him to the label. sheworks002 arrives off the back of fantastic recent releases for black sun records, komisch (as tricaustic with jon hussey) and labrynth and features four diverse tracks of dark, raw and uncompromising techno pressed on heavyweight 180g vinyl, mastered at d&m and distributed by rubadub. support from sigha,shifted, truss, rivet, darko esser, ben ufo, inigo kennedy, northern structures, kriz token, perc and more

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

in classic wolf + lamb records style, the label family revisits the warm and enthralling productions that make up not so lonely ep from the formidable duo lonely c (charles levine, half of soul clap) & baby prince (the lamb half of wolf + lamb). tanner ross, fresh from his highly sought after no.19 release >b side / 4 u< returns home with a remix of >i remember those days< another trademark bass led dancefloor destroyer with softly sung male vocals from charles levine aka lonely c.

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

rino cerrone, the indomitable figurehead of naples fertile techno scene, has a formidable reputation as one of the most consistent and prolific producers around.>man on moon< is cerrones seventh release for his own unrilis imprint and its the sort ofbelligerently driving affair that has cemented his lynchpin status in worldwide techno.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.

the ghettoteknitianz are a formidable clique of footwork djs who count rashad and spinn (who have previously released eps on mu) among their members, as well as veterans such as traxman, gant-man and younger producers like dj manny and dj earl.

there are still around, real environmentalists for whom the term preservation means more than just a trend. paul-david rollmann alias even-tuell belongs with his artistic productions (among other things, one of the creators of the enthusiast label workshop) to the class of those who answer the call for effective art, design and indulgence. the maxim is always the free will, emancipated from szperfluous market mechanics and the falsehoods of the zeitgeist. for musik krause, his activity is recorded on 2 releases. a split with metaboman and a formidable remix for ian simmonds adorn the catalog. with his quasi-first complete musik krause ep he shows a raw and coarse club music sound without losing even a breath of the aesthetic and compelled movement. all three pieces sound as if they were crafted from centuries old tools, in the way that his music is filtered through the machines humanizedm discharged in a kind of essential honesty.

this is the second album from bell and is a mix of robotic funk electro, funked up twisted disco and classic 808 acid. bell give us analog synthesizers and digital techniques to bring us robotic arcade-system electro. deeply complex electronic material, deep basslines, superb production, ranging from unremittingly catchy to dark, creating truly a formidable electronic album. bell are dan crouch and adrian stephens from london and supporters of bell range from andy weatherall to carl craig.

limited edition on pink couloured & marbled vinyl, artist and title printed on sleeve in gold/glitter.
hailing from a maelstrom of reinvention, reckless idealism, and rainbow-chasing known as los angeles, puro instinct are the psychedelic pop discovery thats about to make your year look a while lot stronger. the speech marks come courtesy of their mouthpiece, 24-year-old piper kaplan, who joined by her 16-year-old sister skylar have cut one of the most striking and formidable pairings on the west coast indie-rock circuit in recent years. together, they have created a sound thats already made the year for all kinds of esteemed folks all around the world, from the likes of gorilla versus bear in the states to dear old blightys nme,as their debut long-player headbangers in ecstasy dawned upon them.

lonely c & baby prince is a new partnering fusing one half of soul clap with one half of wolf + lamb in a new strain to their creative collective. made during the same sessions as the addictive dj kicks compilation from wolf + lamb vs soul clap, created during the artists relocation to miami during late 2010, gadi mizrahi (wolf + lamb / double standard) and charles levine (soul clap) produce together for the rst time under the alias lonely c & baby prince. with strains of funk, soul, disco and contemporary electronic music running through its vein, lonely c & baby prince leave you spellbound with this collection of tracks. four warm and enthralling productions make up >not so lonely ep< from this formidable duo

there are few labels who will get the opportunity to work extensively with the most dynamic remixers, dj s and producers of this decade. bbe seems to keep coming up trumps. grammy award winner louie vega has been on top of the dj game for over 2 decades. he gained further notoriety as part of the collective known as ‘masters at work’ with kenny gonzalez form a formidable partnership reminiscent of the greatest producers of yesteryear. quincy did it with chaka khan, james ingram, al jarreau and the brothers johnson, while gamble and huff did it with archie bell and the drells, harold melvin and the bluenotes, teddy pendergrass and mfsb.

after the great success of the .rst vinyl cosmic cowboys are proud to introduce you back and forths new project >stolen reality / i promised you a ballad< signed by two awesome artists as the german elef and the italian ues. with works on labels as dirt crew, fresh meat and consistent, elef established himself as one of the new talent of the european scene thanks to his particular sound that mix the old-school house tradition with orginality and lot of character creating a perfect mix that youll surely feel on his >stolen reality< as remixer were really proud to welcome the parsian varoslav (supplement facts) that reshapes the original mix into an amazing hypnotic version in that unique way he got know for! absolument formidable! on the b-side here comes ues, one of the greatest italian producers and dj, well known all over europe thanks to his productions on prestigious imprints as resopal, blabla, robsoul and exprezoo just to name a few providing an icredible track full of emotion as the title will suggest you. >i promised you a ballad< is definitely the perfect sentence to describe this jewel of the contemporary house music that could just leave the listener speachless. together with the original mix on this side comes the remix of the danish mathias mesteno (upon.you) designing a fantastic groovy club edit that youll look forward to play.

sa009 sees stroboscopic artefacts return to the split vinyl format, with the formidable pfirter taking to the a-side and the two minds behind artefacts mastering, dadub, taking care of the b-side.

7th sign warmly welcomes marcellus pittman to the label. with a distinctive sound that pulls together soul and electronic texture into a form without compare, marcellus already boasts a formidable track record. he is a member of the seminal 3 chairs alongside kenny dixon jr., rick wilhite and theo parrish. as if this werent enough, his remarkable releases on sound signature, track mode, fxhe, fit and his own unirhythm imprint have further cemented his position as the hottest modern producer around today. here we have three glorious tracks that show different sides to his character but all sharing a common purpose - to move bodies and minds.

guti & dubshape debut a new partnership exclusively for crosstown rebels bringing a formidable pair of tracks that inject a bit of funk into the proceedings...

in 1996, jason maccreadie aka jace syntax teamed up with neighbor john morrison aka blackjack and began spinning some of the rawest acid house and techno tracks known to glasgow. pioneering the purest brands of detroit and chicago house music, the duo helped to establish a fundamental movement in scotland paving the way for many top nights and future big name djs. the formidable partnership continues to revolutionize the house music scene introducing their first vinyl collaboration, syntax.

detroit underground introduces the thirteenth installment to their formidable series. function kero ep maintains the same complex connection to abstraction as its antecedents. three remixes from the most surreptitious circles fracture and fuse musical styles from, detroit techno, dubstep, minimal to popping tech-house, all keeping with det.unds signature idm/glitch sound. much like a puzzle piece or a clue vol.13 brings you closer to the core of the 313

sa004 features two exceptional remixes of lucy & ercolinos last 12 inch on stroboscopic artefacts. the a-side >gmork< is given the darkly elegant techno treatment by someone who needs no introduction: luke slater. on the b-side, dadu rips into >so the nothing grows stronger< with a massive dub agenda, showcasing the meeting point between the uk dubstep scene and berlins formidable techno output.

our trusty man from paris - antoine husson - returns to afu limited after a very successful 2009 with formidable releases on high profiled labels such as cocoon recordings, skryptom, scandium, kondens and last but not least afu limited ! this time he delivered more than a bomb with the keep it new track, that is already played by richie hawtin in his sets and surely more to follow pretty soon ! it s uplifting, exciting, building and boiling stabs take the atmosphere to the limit and will do it s big damage on the dancefloors for sure! blondeble is a great minimal techno track with all it needs to keep a crowd pleased and freak out and mozinor rounds it up for this excellent first release on afu limited for 2010!

travelling the world with the cream of the toolroom roster, toolroom knights resident dj pete griffiths now has his sights set firmly on the studio. fresh from the success of his remix of matt samuels >enjoy the silence<, toolrooms rising star pete griffiths delivers a superb debut single >speak the secret< for the label, featuring the vocal talents of the delicate yet formidable neve.
a strong contender for one of this years true anthems, >speak the secret< has a magnetic quality with a progressive melody that captivates inside the first minute. the perfectly formed bassline, sweeping intro and lamenting main riff all interconnect to create something truly transcendental, leaving neves mesmerising vocals locked in your mind for hours.
the release package also includes remixes from some of the worlds finest dj/producers including, tocadisco, thomas gold & esquire, each delivering their own take on the original to cater to all floors.
early support on the release comes from a host of a list names including axwell, mark knight, david guetta, steve angello, pete tong & more ...

reaching back through time to lay hands in the forges of metal, nycs children riff out the present with their debut, hard times hanging at the end of the world. formed through jam sessions by guitarists skyler spohn, jonny rad ollsin (formerly of vancouvers s.t.r.e.e.t.s.), and drummer adam bennati (of early man), the group laid waste to clubs in and around the city beginning in late 2006, and have kept shredding onward. tradition meets stamina head on throughout hard times six massive tracks. with intricate, narrative dual guitar work and a frenzied, wired demeanor children bring it all together: thrash advancements, serious girth, familiar passages crosscut with relentless speed, a formidable edge, and self proclaimed spiritual conspiracy party riffs.

two of italys most formidable electrosonic programmers, composite profuse & kobol electronics were handpicked by veteran covert intelligence agent wilhelm von erwache to decode the encrypted archives of sismi, the italian secret service, and bring to life these clandestine events onto a 12 inch vinyl disk. on the a side, composite profuse (minimal rome, bunker) uncovers his tracks, blackfriars bridge & patience and charcoals and sets them to an ominous electro soundtrack that his name is synonymous for. the b side sees kobol electronics (minimal rome) deliver two sonic binary programs, code01 & code10 that will devastate both internetworks and dancefloors worldwide.

following on from his recent >obey / resurrection< single which continues to receive phenomenal dj support, robert hood returns with the next release for his formidable m-plant label.
the rhythmical adventures of >superman< immediately grab your attention as hood shows us once again how it should be done. with his signature stripped-down beats and perfect blending of solid detroit techno embellished with infectious tracky chicago claps, >superman< is a real show-stopper.
alternatively >range< is a deeper ride through more acidic territories as hood demonstrates why he is still the minimal master. aimed directly at the dancefloor, this is sure to receive as much attention on the decks.
with m-plant firmly back where it belongs, the latter part of 2009 will see the re-release of two classic m-plant singles >the pace< and >stereotype<. not to be missed.

after three long years spent in their clandestine research facility, vienna s prime electro scientists once again emerge: binary systems is the title of their lastest transmission, a five track mini-album to be released this june on trust. generated on microthol s formidable array of vintage analogue gear, binary systems sonic spectrum ranges from classic, hard-hitting techno bass to sähko-esque sine-wave assaults and fragile detroit-style electro.

here comes the second part of afu artists remixing afu artists- and what a great package again this is my friends! kiko has taken popof s big track stereos and such, stirred, mixed and shaken it into this formidable floor killer named kiko s chicks in ze bunker remix! it pushes the level of power many segments up and leaves no questions! our man from paris electric rescue remixed our man from moscow andrey zots and his great track i am. this is techno at it s best and is pumping the hell out of everything ! one of the best work that electric rescue has done to date! and last but definitely not least butch s mega bomb mushroom man get s a mellow down treatment by andrey zots ! it s a very nice electrohouse track with a fascinating and bone shaking groove. we support and love vinyl :)

one half of the formidable force comes with a deep grooving techy edged track feat fidel cashflow and lady lyric!!

simon baker & jamie jones have been long time dj s in england s underground electronic music scene, who have within the last couple of years emerged as respected producers and have seen their works signed to labels such as crosstown rebels, 20/20 vision, freak ‘n’ chic, poker flat, cocoon, get physical and connaisseur just to name a few. kaskazi is their first collaborative effort and proves their individual strengths are even more formidable when unified in the studio. the three versions of kaskazi all invoke a different mood and style, but still retain that jubilant flavor of the original that caught the ears of m.a.n.d.y. and dj t. early in the summer. praise has come from all corners of the dj spectrum, as the combination of a galloping funk fused bass line, with the infectious vocals and clever effects have erupted many club dance floors into a frenzy.

is there more to life than house music? for the swedish dj/producer mikael nordgren: probably not. since 2004, he has been steadily churning out some of the best future house tunes from his studio located in stockholm. his productions have been released under many aliases including dmalicious, 12th floor and for get physical under the mighty moniker of tiger stripes. the blacker the music, the sweater the sound. a potential anecdote that fittingly could have inspired mikael when he composed the warm and supple portion of detroit fueled funk that is, blackroom entertainment. yet another presentation of his programming prowess and ability to mold and mend melodies into a sophisticated groove. especially utilizing his signature catchy drums to get the vibe going, then introducing a melodic synth stab before the track takes you away with complex variations of rhythmic lead sounds. abacus may remind listeners of his stellar mad at me ep released last fall on get physical - albeit reformed with a more analog approach. springing tones get the groove rolling before it is taken over by a cabal of sci-fi sounds, at which point a thick, modulated analog bass sound ups the overall energy. the lack of audio imagery is little if none, as the sounds invoke so many moods, feelings and sensations that only a seasoned dj and knowledgeable producer could fabricate such a convincing theme. blackroom entertainment ep again showcases mikaels ability as a formidable contributor to house music

played by martin landsky, popof, mihalis safras, nic fanciulli, tiger stripes, raudive, audiojack, luke solomun, chloé….. lützenkirchen shows again his studio skills but also his very own way of running a label with great artists from munich. as always including one great track by the master himself plus 2 formidable tunes from emin corrado and micky monzza & joseph disco

feat deadmau5, tommy lee, dj aero and ‘steve,’ this formidable force comes together once again to produce some skull-numbing tunes. deadmau5: found lurking in the creative laboratory known as the ‘deadmau5 disco den of despair and inequity’ this creative ingenue runs the gamut of beats unlike any other. since his inception deadmau5 has stormed our planet with chart topping action and playlists from the best of the best. the now established duo of dj aero and tommy lee join forces to create these fantastic tracks.

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

hector moralez forms another formidable partnership with jump recordings dj jaz. coming from the west side offers 2 top notch original cuts and kicks off with a bang on a1. drive slow combines smooth female vocals with organic keys to create a deep twisted house groover. summer windy is a peak time affair that uses live sax loops and sleek beats and arrives just in time for the start of those hot summer months. hudd traxx label bosses slum science pick the pace up on the b side with a remix that would fit in well into sets of jocks like inland knights, dj heather, ralph lawson, chris carrier & dj raoul. the slumsters work out tough beats with clever stabs,...

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

ltd upfront promos , boddhi satva and abel tabu have fused their interpretation of african music by returning to their roots, providing us with one of the most interesting projects this year on atal music. they asked the talented congolese guitarist, danny mpiana, to bless their production with a true central african musical feeling ensuring they capture and soothe both heart and soul of dancers and listeners worldwide. the name boddhi satva has become for the most part, synonymous with deep, afro ancestral beats, melodies and rhythms. all these elements and more are present in his past productions, so its only fitting that he capitalize on this trend and join forces with his friend abel tabu to bring forth the best of both musical backgrounds. the end result is moina ya mokili, a formidable collaboration that confirms their true love and passion for deep soulful music. furthermore, this project is endorsed and enriched with support from abicah soul. his remix incorporates scintillating afro latin smooth, yet powerful beats and the signature abicah soul touch of deepness.